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The Taima Mandala, Circa 1700-1750. An Extravagantly and Masterfully Produced Painting of Sukhavati, the Western Pure Land, With Extensive Usage of Gold Leaf

The Twenty-Four Generals of Takeda Shingen, Circa 1850-1900. Silk Painting of Takeda Shingen and His Most Trusted Companions

Saint Honen, Circa 1550-1650. An Uncommon, Detailed Painting of the Seventh Patriarch of the Shinshu Tradition, With the Three-Leaf Hollyhock Crest of the Tokugawa Clan

Gozu Tenno and the Eight Gods of the Year, Circa 1700-1800. A Mid to Late Edo Period Honji Suijaku Painting of Toshitokujin, the New Year’s God

Uho Doji, Circa 1603-1750. An Edo Period Painting Depicting a Manifestation of Amaterasu as the Dainichi Nyorai, without a Pagoda Head Adornment

The Planetary Deity Chenxing (Mercury) Attended by a Monkey, Circa 1700-1750. A Beautifully Produced Painting after a Southern Song Dynasty Composition

Sanja Takusen (The Oracles of the Three Shrines), Circa 1840-1860. An Uncommon Shinto-Buddhist Painting Depicting the Medieval Virtues of Honesty, Pureness of Mind, and Compassion

The Shaka Triad with the Sixteen Benevolent Deities, Inscribed 1507. A Late Muromachi Period Painting, Beautifully Detailed and Illuminated in Gold Leaf, Depicting Shakyamuni and More

The Bodhisattva Manjusri (Monju Bosatsu), 1356. An Extremely Rare Silk Painting Depicting the Bodhisattva who represents Transcendent Wisdom, Once Part of a Shaka Triad Set

The Bodhisattva Samantabhadra (Fugen Bosatsu), Circa 1500-1600. A Rare Painting Depicting the Bodhisattva who represents Action, Once Part of a Shaka Triad Set

Jusan Butsu. The Thirteen Buddhas and Bodhisattvas, Circa 1603-1868. Edo Period Painting of the Buddhas and Bodhisattvas Involved in the Judgments of the Underworld